Believers and doubters alike can worship shoulder to shoulder in any year or circumstance by “stopping and listening.” Such a wise and generous mantra. Continue reading
I have shelter, clothing, more than enough food and drink–trust me, blossoms and birds to please my eyes, and most of all love. I look out from the hut, which itself would not exist but for the COVID pandemic, and think to myself, “John, you’re in paradise.” Continue reading
Oniontown Pastoral: Sabbatical in the Writing Hut
On Friday, July 2, 1971, I was almost 10. Evonne Goolagong beat Margaret Court at Wimbledon, and Americans were humming Carole King’s “It’s Too Late,” baby. Richard Nixon and his associates were being tricky in all manner of things from D.C. to the Ho Chi Minh Trail.
Inconspicuous 7-2-71 is neatly painted on the wall in front of me in a chalky white. A normal person would have sanded the board and hit it with polyurethane, but Mr. Tyler, the previous resident of the Coleman house in Erie, Pennsylvania, obviously had good reason for dating the wood rather than burning it.
In any case, I’m far from normal. It’s not normal to make the walls and floor of your new writing hut out of hardwood scraps from an Amish lumberyard, leftover boards waiting above your garage rafters and tormented barn wood from Conneaut Lake, Pennsylvania. Ordinary isn’t turning a slab of Old Man Tyler’s wainscoting, roasted and frozen by turns over the decades, into a desk top.
Crazy is more like. What began as tame diversion has become zealous mission. Writing is mostly on hold. The summer and fall of 2020—this strangest of years—are a sabbatical during which my medium isn’t language, but boards that you might say are grimacing if they had faces.
Meanwhile, writing continues in my head. For one thing, I’ve been engaging in spiritual poetry, regarding my endeavor here as redemptive. This castoff lumber represents sisters and brothers who are rooted nowhere, who stick out like burls, whose misfortunes and trespasses are knots that make sawing iffy.
In this shed of reject materials, there are no outcasts. In fact, when handled with care and beheld with generosity, the ash and cherry and maple and pine I bought for a song or employed in honor of thrift sing of hope. Resting my eyes on misfit and forgotten boards that have found welcome and good purpose makes me glad.
Another fortunate thing: As I’ve refrained from putting down words, the kinship between language and lumber has revealed itself to me. Just as Mr. Tyler couldn’t part with the odd cupboard door or 10’ planks of pine painted red, over the years I’ve been hoisting extraneous words and expressions to my lexicon’s rafters.
Some words have simply fallen out of favor. Nobody spreads oleo on toast anymore, naps on a davenport or wears dungarees. School students don’t hang their wraps on a hook and leave their galoshes in the hallway.
Other words are so seldom called for that they get musty. I’m a devoted gourmand, but rarely say dollop. An evening beverage is medicinal, but I never drink liqueur. Reading yesterday I tripped over payola, which has never crossed my lips, but it reminded me that my parents’ generation liked to say Shinola.
And again, plenty of words have received their melancholy gold watches. Today’s cars don’t have fender skirts like my folks’ 1967 Pontiac Grand Prix did, never mind rumble seats. Does anybody still pay the light bill, unlock a door with a skeleton key or keep a milk box by the front door?
Ah, but who cares? Rummaging through heirlooms clacked out on a manual Smith Corona before computers existed is sweetness and light. My mom collected Green Stamps and sewed herself scooter skirts. My dad got his Schlitz from the icebox, called me Buster Brown and my nose a snot locker. My coaches grunted walk it off. No matter how busy my vocabulary becomes, I’ll never scrap such pieces, which form memory’s truss.
In a week or so, the carpenter’s obsession should be out of my system. The last task, a hardwood floor, is no gimme, though. The boards are as even as I can get them, a process that started in July’s steam and finished in October’s soaked chill.
I turned 59 on 10-9-2020, not too late, I hope, to enjoy some fruitful seasons of fulfilling this place’s mission. But about the floor: It will have to tolerate wet galoshes and spiritual poetry. Its boards can’t be like words brought out seldom, if ever.
No, any visitors will stand with me on load bearers like love, compassion, tenderness, justice, honesty, fairness, forgiveness and truth. Kindness, grace and mercy, too.
If the friendly Amish man’s scraps fit together, the floor will join Julian of Norwich in assuring this writer, guests and the walls themselves, “In this hut at least, all shall be well, and all shall be well, and all manner of things shall be well.”
Oniontown Pastoral: Why I’ve Been Quiet Lately
It was tomatoes cooking, the kindly surprise of their smell, that brought me around, helped my spirit to its feet and pointed me in a good direction.
If you look forward to my column in Greenville, Pennsylvania’s daily, The Record Argus, or my posts at A Napper’s Companion, you may have noticed that I’ve been quiet lately. When world and native land are convulsing in myriad ways, of what account are tomato-perfumed wisps rising in a middle-class kitchen? When the television news serves up images of relentless rage and pandemic, mentioning the cleansing joy of wife Kathy’s sunflowers bending in the breeze feels intrusive. When we human beings are enduring the labor pains of birthing a new society—and meanwhile throwing tantrums over trivialities and wetting our pants—who wants to think about a couple dozen corn stalks rising from a raised bed, the soil a mix of household compost and manure from a dear friend’s cows?
Maybe you do. I now believe my silence in recent weeks has been misguided. “Don’t go all poetic on me, John,” I imagined you saying, “about standing at a stove or pulling blessings from a garden, about how basil makes a sauce sing, about how walking by a bush of spearmint touches a place inside you didn’t know was aching. No rhapsodizing at a time like this, when so many of us are at each others’ throats and hardly an hour passes without yielding fresh anxiety and confusion.”
Of course, you weren’t saying anything like this. The fact is, I had convinced myself that what normally moves me to make paragraphs wasn’t relevant anymore. We all have bigger fish to fry, as the cliché goes.
But then those tomatoes reminded me of last summer, before the complication and misery of 2020. Kathy’s crop necessitated daily decisions. Would I make spaghetti or chili for supper? Or would I core and simmer down yesterday’s basketful, let it cool and pour it into freezer bags? More often than not, when Kathy got home from a day of nursing cancer patients, she would pause just inside the backdoor, close her eyes and breathe in.
“Oh,” her mantra went, “I do love the smell of my tomatoes cooking.” And then we’d kiss.
Yes, Norman Rockwell might have painted me wearing an apron and holding a wooden spoon straight up while Kathy looks on with rosy cheeks and a slight smile, but not one detail of the scene is embellished, honest. This was the start of our evening together. This was home and family and marriage. This was life and love.
All of these thoughts came to me wordlessly when, the other day, the pageantry of preserving my wife’s bounty started up again with the lovely scent I’ve described. She has already pulled garlic and onions, which I regularly help to fulfill their aromatic vocation, and canned some dilly beans. Cherry tomatoes are piling up, and, yes, I cook them along with the Better Boys and Romas and freeze them flat. That glad task will wait until tomorrow.
At the moment Kathy is drizzling dish liquid into a slowly filling blowup pool. Grandsons Cole and Killian are staying over this Friday night. I’m watching them from my writing hut—more on this new outbuilding on the Coleman farmette soon. Killian is running the length of the yard and jumping into the shallow foot of water, emerging suds covered and delirious. The way Cole is waving the hose around to make water snakes in the air, the pool may never reach capacity. No matter.
Planet Earth may be going to Hades in a hand basket, but even the gates of hell shall not prevail against my grandsons’ wonders in this hour. Nor can powers and principalities stop Kathy’s sunflowers, soaring six feet above the corn, from waving at me.
Silence is a skillful teacher, but its students are lost unless they listen with the ear of their heart. That was my problem. I paid attention to the faculty members who scream and shout that their subjects, crucial though they may be—war, oppression and illness—are the only ones worth studying.
So I write to insist otherwise and resume interrupting our shared daily travail with promises. Tomatoes still ripen in August and will remind you of grace if you put them on to cook. And sunflowers will bow to you when the wind is right. Remember to breathe deeply and bow in return.
The house is calm. A wind chill of 13° has wispy snow swirling on Parkway Drive. The bird feeders look at me, wondering when they’ll get their fill. Soon, I promise.
Now the furnace kicks on, joining the weather and passing cars in a chorus of groans and sighs.
Now Baby Crash appears on the desk, offended that I’m not than cradling her, whispering sweet nothings—“Are you Pop’s good kitty cat?”— and feeding her treats. She licks my knuckle and considers taking a pinch of skin between her fangs. Her eyes are calculating.
But who can write while anticipating a nip from those needles a cat puts on display with each yawn? I set her on the floor and return to my dream.
Yes, my dream. Its elements are silence, bitter coffee, a view, a desk and something to say. For most of this March day, I’ll abstain from television and music and mute the smartphone (the mother of all misnomers).
No dashing around the house, yanking the silverware drawer open and shutting it with a thud and rattle. I once read that you can tell a lot about people by the way they close doors. The principle occurs to me often when, as May Sarton once said, “The house and I resume old conversations.” Let meditations be gentle. Hold the hours with a light grip. Listen to my own footfall on the wooden floor. Take it easy on the doors. Take it easy on my neighbor, as I should on myself.
A lot happens slowly on what I call “writing days”: prayer, chores, errands, coffee with friends, babysitting now and then.
And writing happens, especially writing. This is warp and woof of my dream: long draughts of time and space to play with words. Sometimes I write at Starbucks, but increasingly these days sentences get woven on this enclosed front porch, termed a “den” on a building permit from 9-7-65. While moving in, I found the form tacked to pegboard in the basement and framed it—something resonant about our home’s sanctum being four years my junior.
Wife Kathy and I have always called the room in our abodes set aside for contemplation and creation the “study.” Here on Parkway we feel obligated to use the space’s given name, though “den” fits a smartly dressed world beater who exudes confidence and authority—hardly yours truly.
“Study,” on the other hand, connotes humility, since one who labors there is a student at heart. That’s me, chronically rumpled and staring up slack jawed at some vertical learning curve.
First thing this morning I sat here in prayer, reckoning my good fortune. On Mondays, Wednesdays, Fridays and Saturdays, writing is limited primarily by stamina. On Tuesdays, Thursdays and Sundays, the pen sleeps as I head for Oniontown. The hour commute during winter is rich with the pale gray of leafless trees, and my reward is arriving to work with the sweet brothers and sisters at St. John’s Lutheran Church.
“Living the dream,” some folks joke when asked how they’re doing. For me this is actually true, which is not to say that dreams come without complications.
Baby Crash’s teeth occasionally draw specks of blood.
Following an evening church meeting recently, I crawled through a freakish whiteout on Route 19 coming down the hill toward the Rainbow Valley Restaurant. The view cleared within a few miles, but the brief ordeal reminded me that troubles relish showing up unannounced.
My dream of writing days—the whole enterprise, I mean—has witnessed two squalls.
First, when dreams come even partially true, the spirit is tricked into believing that it has finally arrived in paradise. Nice try. Postponed grief and old upset hushed by stoicism never hesitate to drop in when I’m savoring solitude. In fact, gladness practically whispers to decades of unresolved life junk, “Hey, John’s defenses are down. Hurry, he’ll never see you coming.”
Second, a dream fulfilled does not—I repeat, does not—guarantee happiness, which is a stand-alone project. Am I alone in this experience? Circumstances are agreeable, better than could be expected, in fact, yet the throat is tight with sadness, the chest bruised with longing.
Writing days have highlighted the truth that happiness lives under no obligations. Now and then it appears unbidden and licks my hand. Mostly, though, my dream fulfilled leaves a spot open at the table, but joy doesn’t show up unless I send her an invitation.
This arrangement seems more than fair to me.
A Prayer for Ray and All the Rest of Us
I can’t remember where the question came from or how the conversation started. We were driving to Dollar General, where he was going to pick up five bags of starlight peppermints.
“When I was a teenager,” he said, “I would never have started with drugs or alcohol or cigarettes. I would have paid attention in school and graduated.”
I chipped in: “Oh, and you wouldn’t have gotten married that first time, right?”
“No, I would’ve run all the way to Oklahoma in the same pair of sneakers.”
Ray comes out with great lines like this, but his flat affect can make you forget his brain has zip. He is a trippy character. Years ago I mentioned that I would like to write about him.
“Write whatever you want,” he said. He hopes his story can speak to others, as it does to me.
Ray’s life is short on plot, but long on complication. Mental illness and heavy-duty meds blur his days. He could be content with a routine built on filterless roll-your-owns, plugs of wintergreen snuff and old Pink Floyd albums, but tobacco fills him with guilt. For decades he figured God would send him to hell, but not anymore. What remains is a soul scarred by damnation’s abuse.
Ray’s latest trouble is a persistent cough, so this morning after the peppermint run I took him to the doctor.
In the waiting room, as we engaged in our usual salty repartee, he sagged in his chair.
“Pastor,” he said out of the blue, “I wish somebody would tell me I’m going to die.”
No cause for alarm. Ray has been ready to die for years, but his belief that suicide is unforgivable keeps him alive.
“Really,” I said, inviting him into the valley we’ve walked before. “Why do you want to die?”
Ray knows my truth. I’ve never been suicidal, but a few times I’ve been miserable enough that if God had called me home, I would have gone without an argument.
My old friend confessed his truth: “I’m so tired of being tired and afraid.”
Ray’s medicine causes crushing fatigue, but it’s also supposed to keep him ahead of paranoia and panic. In fact, few days pass without him choking on their dust.
He calls constantly to ask for prayer. I take him to the doctor’s office, Smoker Friendly and the used record store. We get coffee. Wherever we are, he’s apt to say, “Lord, I’m so tired,” and he’s not talking to me.
I have no solutions, but figure that the only thing worse than suffering is suffering alone.
A few months ago Kathy and I traveled to Ireland and visited attractions both popular and inconspicuous. Of course, we toured Saint Colman’s Cathedral, whose spire keeps watch over the city of Cobh.
My last stop was quiet room off the narthex, which glowed with votive candles. Kneelers waited below a towering poster of Jesus for believers with intercessions. I slipped a few Euros into the offering box, knelt and prayed for family, friends and my folks at St. John’s Lutheran in Oniontown.
Ray got his own candle. I imagined him dozing in his recliner, obsessing about somebody breaking into his house and stealing his things.
“Peace,” was all I said, “give him some peace.” Then I snapped a photograph to show my friend where I remembered him to God.
This morning before taking Ray to the doctor, I finally got around to having the print framed. On the back I taped a prayer, the one that I offered in abbreviated form in Ireland: “Dear Lord, please fill Ray’s heart with peace about his salvation, compassion toward himself and love for you. Amen.”
The day is not yet over, and he has called me several times, twice to say how much he loves the picture. And moments ago, this update: “I just wanted to let you know I woke up from a nap and don’t feel sick.”
“So you’re not afraid?” I asked.
“No, Pastor, I feel normal,” he said with a chuckle.
A normal day—no panic, sorrow or tragedy—deserves a celebration, maybe a phone call to a friend. Now there’s a lesson I can stand to remember.
Folks assume I take of Ray, but I add this confession to my personal story: If I keep my heart open, sometimes Ray takes care of me.
A Neighbor Shows Me How to Figure Out Ireland
The site was comical. On my way to St. John’s Lutheran Church recently, I drove past a neighbor who was poking leaves with a litter stick and sliding them into a big white bucket. The odd part was, there weren’t enough leaves to rake, maybe a hundred scattered over his yard.
“Why bother?” I thought. On the other hand, what a senior citizen does on a windy morning is none of my business.
We exchanged glances, me offering a smile, he raising his eyebrows and chomping on the last inch of a stogie.
I knew instantly that the man was trying to advise me. But about what? Cigar smoking wouldn’t suit my temperamental lungs, and gnawing on a cheroot would result in wife Kathy hesitating to kiss me.
No, the counsel had to do with leaves. A few days went by before I understood that my neighbor wanted to help me figure out Ireland.
Since Kathy and I returned from the Emerald Isle a couple weeks ago, my spirit has been overflowing. Kind brother Ed and his wife Debby drove us all over southern Ireland to sites both popular and inconspicuous. I gave the Blarney stone a peck, communed with two cows at the Cliffs of Moher, knelt in prayer at St. Colman’s Cathedral, and at St. Michan’s Church let my hands hover over the keyboard Handel used to compose his “Messiah.”
Then there was the countryside, where cattle and sheep grazed within stone walls, and church and castle ruins gave the land gray benedictions, as they have for centuries.
You can’t roam Ireland without feeling the inexorable passing of time. I’m home at the moment on an afternoon with intermittent drizzle—very Irish weather—but even now time’s gentle, but calloused, hands hold my face.
Part of me is in Erie, but part remains at Kilmainham Gaol, where architects of the 1916 Easter Rising awaited the firing squad. Joseph Plunkett, who married Grace Gifford in the prison chapel hours before his execution, was not yet thirty. After the ceremony in his cell, the bride and groom were permitted to spend ten awkward minutes together in the presence of guards. According to the tour guide, they sat quietly.
Another part of me reverences miles of stone walls. The only way to farm the island’s fields was to pry the limestone rocks out and pile them into long lines. During the Potato Famine (1845-1849), starving men were fed in exchange for clearing land and building walls that led nowhere. “Famine walls,” they were called. If grassy pastures were poetry, Ireland would be sonnets, beautiful but melancholy.
My great-great grandfather, Timothy Coleman, most likely sailed from County Cork to America before the historic blight that turned the country’s main food source to smelly mush. A million to starved to death and about as many emigrated elsewhere. Ireland’s population has never recovered the loss.
A dozen times each day, as I brushed ancient cathedrals with fingertips and tried to read eroded gravestones, Timothy’s absence haunted me. He was a farm laborer. I dreamt his face and imagined his voice.
Debby, who has dug into the Coleman family history, records the following about Timothy’s son, Edward: “[He] moved his family 31 times. . . .The family lived on mashed potatoes, gravy and hamburg.”
Part of me grieves for these ancestors I’ve never met and wonders with unfeigned love about their days and decades, their toils and joys.
Ireland rests in my spirit like the fallen leaves I’m studying, just a scattering this fall in Erie, Pennsylvania. I can only gather them one at a time, like my Oniontown neighbor did.
Timothy is but one leaf. Another is his wife Helen Salsman, who bore seven children. Someday Kathy and I will drive to Norwich, New York, and pay respects at her grave (1836-1918). We don’t know where Timothy is buried, which pains me a little.
Leaf by stunning leaf I’ll sort through Ireland, maybe figure out why I was so moved by the walls and ruins, cows and sheep, friendly folks and all those starving spirits who built walls that now look like random adornment, innocent alleluias stretching toward the horizon.
If you see me these days with my eyes closed, I’ll be imagining Timothy Coleman and remembering the island he left behind. And if you catch me chewing on a stogie, pray that Kathy will kiss me anyway.
I just posted an essay called “American Lament” on my buzzkill of a second blog, Matters of Conscience. This primary blog, A Napper’s Companion, will probably be quiet a little longer–until I can write about beauty again.
I alert my Nappers to this lament because I know some of you will be interested. But I’m not encouraging or asking anybody to read. This was something I felt compelled to write.
Peace and love,
I guess decisive is the word. Maybe it’s convinced. Or certain. But since I’m fifty-something, the question of what I’ll be when I grow up is academic.
I am what I am, which is discerning. Discernment’s pace toward decisions is stately. It’s focused, but patient. That’s me. I’m comfortable with interesting and hmm. No need to stampede toward conclusions.
Practically speaking, I’m how rich and what poor. I know, for example, how to sit with people and listen, but am nearly clueless when it comes to what they should do. I can figure out how to string sentences together, but readers these days pay to be told what to do, and I suck at that. After “secure that smartphone and pay attention to your kid, wife, husband, and ferret Rafael,” my prescriptions run out.
My life-management skills are sketchy. Walking with you? That I can do. Giving you a plan or grid or diet? Don’t look at me. This is a suspect orientation for a Lutheran pastor and writer. Men who get paid to wag their chins on Sunday mornings and volunteer their personal essays for Internet consumption should clarify more often than mystify.
Here’s a brief study in what I’m bleating about. If I were a decisive grown up, you would be reading a compelling case for one of the characters currently plotting to be President of the United States of America. What a rush it would be to write with the conviction of, say, former Secretary of Labor Robert Reich, who can tell you exactly whom to vote for and why.
I wish. Like hundreds of thoughtful citizens, I’ve been grazing in the unkempt fields of campaign coverage and punditry. Two states into the meal, I’ve strayed into gray pastures, nauseous with uncertainty. What I’ve got to say may feel good, but mostly as a purgative.
- Does the news media manufacture—or at least feed—nerved up realities? Why the breathless, urgent reactions to voting in two Wonder Bread states—no insult intended (Iowa: 92.1% white; New Hampshire: 94% white)? Talk about racism! The suggestion that any candidate is already washed up comes from a malnourished perspective. Would Harry Carry have declared the game over if the Cubs gave up a couple of runs in the first inning? Do cancer patients call off chemotherapy when hair starts to fall out? Come on.
- What is the most important consideration in voting for President of the United States? Platform? Experience? Promises? Charisma? The older I get, the more I care about intelligence and integrity. Maybe this concern grows out of my cynical hunch that some candidates don’t believe in much of anything—a whoredom that trumps all other prostitutions. I remember decades ago elders saying that they would vote for somebody from the other party; they rooted for the best person for the job. The sentiment is worth revisiting. How much stock should we place in a candidate’s humanity? You can study up on economics. But can you acquire character?
- Is a revolution really the best corrective to our current governmental dysfunction? I acknowledge the appeal of a righteous battle, the blood rush and passion, the idealism and purity, the triumph of justice and common sense. There’s no shortage of revolts being proposed as we all pant for the results in South Carolina and Nevada. Bernie Sanders has employed the r-word itself. Other candidates vary the diction but stump in the same genre. Although I’m not without sympathy for Sanders’ uprising and even saw merit in Ron Paul’s long-shot crusade, revolutions have drawbacks. The Tea Party has been throwing everything not bolted down into the Potomac for a few years now, which has done nothing but dam up the government. How likely is it, then, that another revolution would yield better results? Nothing beats the language of war for whipping voters into a bloody foam, but if brawling remains our go-to legislative strategy, we’ll have to name Mathew Brady our Capital Hill Photographer. And 2.) losers in a revolution—and there can’t not be losers—go home pissed off and start plotting their revenge.
I could happily go on, speculating about the place of objective truth (what little there is) and manners in politics, but who really wants to follow me further into what started as a dreary example of one Lutheran pastor’s turn of mind?
The point, for anybody still awake, is me—by which I mean, maybe you, too. I’ll put myself in your shoes. Let’s see if I’m warm.
- Every day is a litany of fast judgments and flawless answers. Television knows the best seat for surviving a plane crash and how to weave to escape a shooter. Family-friends-whoever cure timeless worldly ills with one flippant sentence. The lovely can transform the normal for three easy payments. You say, “I wish I were so sure.” Or “How can anybody be so impossibly full of crap?”
- You’re overwhelmed, weary with information, each expert shaking you by the lapels. Even as you purchase another plan, your own wisdom speaks: “Tend first to your troubled heart, beloved.” “Hush up,” you respond, for the hundredth time, and swipe your credit card.
- Part of you hangs onto the belief that you’ll feel settled eventually, at peace and complete. You’ll be grown up, a finished human being.
- Then, sweet then: questions and doubts will fall silent. You won’t be vulnerable anymore. You won’t have to be humble either, but you will.
- Long before the polls open, your choice will be set.
If your shoes don’t fit me, please forgive my presumption. But if they do, I’m guessing you have balm for humanity in your soul. If only somebody would listen, you would say, “Let’s pay attention to how we treat each other. Then what we should do to fix the world would be clear.”
As for me, I’m not decisive enough to speak up–afraid of sounding frivilous. Until I grow up, I’ll just say that I’m discerning.
I’ve never thought much about where my writing comes from, maybe because time for it is constrained. For over a dozen years, my habit has been to drop wife Kathy off at work or children Elena and Micah at school, then land at Starbucks or some other coffee house and peck away at a keyboard. Words have shown up faithfully, and the twenty to thirty to sixty minutes I manage most mornings are blissful, though my subjects sometimes involve torment.
Some people escape to their woodshop to make lamps shaped like whales, others prefer quilting, still others take photographs. To borrow from Stephen King, “I just flail away” at paragraphs—happily. In my experience, joy isn’t the best motivation for reflection. Why dig around my insides to figure out what makes me write? Does an old guy who has yards and yards of miniature train tracks set up in his basement sort out his aesthetic?
But now, after thirty years of fussing with books, poems, stories, and essays, I finally have good reason to ask myself, “Why do you write?”
Pema Chodron is to blame. Better put, I’m to blame for inviting this Tibetan-Buddhist monk into my soul. Pema, the first American woman to be fully ordained, directs Gampo Abbey in Nova Scotia. She writes books with titles like The Places That Scare You and Smile at Fear. I’ve known about Ani (sister) Pema for a while now, but not being a big fan of fear, I’ve resisted getting close to her teachings.
I am interested in Buddhism, though, and Facebook obviously knows this. A video course called “The Freedom to Choose Something Different” kept popping up on my News Feed, accompanied by Pema’s face. I finally watched a sample and thought, “Oh, crud, this sounds like advice I need to hear”—needful enough that my credit card took a $67 hit.
The presentation was spartan. A nearly eighty-year-old nun in a maroon robe talked, answered questions, and sipped water. And it’s way too early to tell, but she may have significantly reduced my neurotic load.
I won’t presume to offer here a detailed summary of her seven hours of lectures, but the key concept is shenpa. The word is already dear to me. Pema describes the shenpa phenomenon as “getting hooked.” Minute by minute, day by day, people and events yank our chains, sucker punch us, break our hearts, or merely Taser us with annoyance. Mild: being cut off in traffic. Major: getting fired. Whatever the instigation, human nature is to think about the pain, explain it to ourselves, create stories about it, argue against it, and brainstorm the demise of those responsible.
We hope that letting our obsessing and verbalizing run their course will ease our suffering, but actually the opposite happens. As the storyline (Pema’s term) gains momentum and energy, we feed the fire of our anger, fear, jealousy, whatever.
Pema’s central teaching is that continuing to develop the storyline in hopes of feeling better is like trying to put out a fire with kerosene. The best action is to shush the shenpa-speak gently, without self-reproach, and focus on your in-breath and out-breath.
In case this all sounds like transcending suffering, well, sorry. No levitating in the lotus position. When the storyline is silenced, the physical sensations that accompany anger, sadness, and so on remain: the lead in the stomach, stiff neck, lump in the throat, fury rising in the chest. Pema’s counsel is to breathe with the feelings, to touch them instead of running away. Referring to her own panic attacks of the past, she said one of her teachers told her to lean into them.
Hush. Lean in. Yes, yes, I know, this is nothing new, especially the hush part. Don’t dwell on your problems. Do something to take your mind off things. Let it go. Lots of ways to say it.
But for whatever reason, Pema’s situating the practice of quieting shenpa within the context of meditation works for me. For years I’ve doused my inner coals with lighter fluid, thinking that they would eventually burn out. It’s sobering, though liberating, to learn that those emotional embers have the density of a black hole. Some of them might glow forever.
There’s just one complication with Pema’s sanity saving lesson: I’m in the storyline business. Words are allies, not enemies. For the first week I tried to be mindful of getting hooked and not starting up the potentially endless narration, I lost all desire to write. Nothing would come to me.
Oh, boy. “Is my writing essentially shenpa-speak?” I worried. For a couple of years, I’ve concentrated on A Napper’s Companion, and while gladness and wonder are frequent visitors, much—maybe most?—of the work begins with suffering. The death-resurrection pattern is well worn here.
The impulse to peck away returned quickly, but now I’m left with discernment. Writing and shenpa are unquestionably neighbors. The former has brought decades of gratification and comfort. Negotiating with the latter, away from the desk at least, has been a spiritual and physical sinkhole. Much anguish.
Most of the time I’m self-aware enough to know when my words are kerosene. But I’ve also teased, harassed, and howled on paper at my injuries, frustrations, and sadness.
Flailing away at paragraphs is a vocation, so I’ll have to lean into ambiguity: When does creation give healing and clarity? And when does creation pick at the scabs of suffering, keeping the mind’s wounds fresh, the body weary and shaken?
I imagine the answer to both questions will sometimes be, in the same breath, “Right now.”