The Sounds at Present Crows are making a ruckus in the neighborhood. Some game is afoot. The rightful claim to a squirrel carcass is in dispute maybe. A Duraflame faux wood-burning stove is sighing warm air around my writing hut, … Continue reading
Oniontown Pastoral: Sabbatical in the Writing Hut
On Friday, July 2, 1971, I was almost 10. Evonne Goolagong beat Margaret Court at Wimbledon, and Americans were humming Carole King’s “It’s Too Late,” baby. Richard Nixon and his associates were being tricky in all manner of things from D.C. to the Ho Chi Minh Trail.
Inconspicuous 7-2-71 is neatly painted on the wall in front of me in a chalky white. A normal person would have sanded the board and hit it with polyurethane, but Mr. Tyler, the previous resident of the Coleman house in Erie, Pennsylvania, obviously had good reason for dating the wood rather than burning it.
In any case, I’m far from normal. It’s not normal to make the walls and floor of your new writing hut out of hardwood scraps from an Amish lumberyard, leftover boards waiting above your garage rafters and tormented barn wood from Conneaut Lake, Pennsylvania. Ordinary isn’t turning a slab of Old Man Tyler’s wainscoting, roasted and frozen by turns over the decades, into a desk top.
Crazy is more like. What began as tame diversion has become zealous mission. Writing is mostly on hold. The summer and fall of 2020—this strangest of years—are a sabbatical during which my medium isn’t language, but boards that you might say are grimacing if they had faces.
Meanwhile, writing continues in my head. For one thing, I’ve been engaging in spiritual poetry, regarding my endeavor here as redemptive. This castoff lumber represents sisters and brothers who are rooted nowhere, who stick out like burls, whose misfortunes and trespasses are knots that make sawing iffy.
In this shed of reject materials, there are no outcasts. In fact, when handled with care and beheld with generosity, the ash and cherry and maple and pine I bought for a song or employed in honor of thrift sing of hope. Resting my eyes on misfit and forgotten boards that have found welcome and good purpose makes me glad.
Another fortunate thing: As I’ve refrained from putting down words, the kinship between language and lumber has revealed itself to me. Just as Mr. Tyler couldn’t part with the odd cupboard door or 10’ planks of pine painted red, over the years I’ve been hoisting extraneous words and expressions to my lexicon’s rafters.
Some words have simply fallen out of favor. Nobody spreads oleo on toast anymore, naps on a davenport or wears dungarees. School students don’t hang their wraps on a hook and leave their galoshes in the hallway.
Other words are so seldom called for that they get musty. I’m a devoted gourmand, but rarely say dollop. An evening beverage is medicinal, but I never drink liqueur. Reading yesterday I tripped over payola, which has never crossed my lips, but it reminded me that my parents’ generation liked to say Shinola.
And again, plenty of words have received their melancholy gold watches. Today’s cars don’t have fender skirts like my folks’ 1967 Pontiac Grand Prix did, never mind rumble seats. Does anybody still pay the light bill, unlock a door with a skeleton key or keep a milk box by the front door?
Ah, but who cares? Rummaging through heirlooms clacked out on a manual Smith Corona before computers existed is sweetness and light. My mom collected Green Stamps and sewed herself scooter skirts. My dad got his Schlitz from the icebox, called me Buster Brown and my nose a snot locker. My coaches grunted walk it off. No matter how busy my vocabulary becomes, I’ll never scrap such pieces, which form memory’s truss.
In a week or so, the carpenter’s obsession should be out of my system. The last task, a hardwood floor, is no gimme, though. The boards are as even as I can get them, a process that started in July’s steam and finished in October’s soaked chill.
I turned 59 on 10-9-2020, not too late, I hope, to enjoy some fruitful seasons of fulfilling this place’s mission. But about the floor: It will have to tolerate wet galoshes and spiritual poetry. Its boards can’t be like words brought out seldom, if ever.
No, any visitors will stand with me on load bearers like love, compassion, tenderness, justice, honesty, fairness, forgiveness and truth. Kindness, grace and mercy, too.
If the friendly Amish man’s scraps fit together, the floor will join Julian of Norwich in assuring this writer, guests and the walls themselves, “In this hut at least, all shall be well, and all shall be well, and all manner of things shall be well.”
The house is calm. A wind chill of 13° has wispy snow swirling on Parkway Drive. The bird feeders look at me, wondering when they’ll get their fill. Soon, I promise.
Now the furnace kicks on, joining the weather and passing cars in a chorus of groans and sighs.
Now Baby Crash appears on the desk, offended that I’m not than cradling her, whispering sweet nothings—“Are you Pop’s good kitty cat?”— and feeding her treats. She licks my knuckle and considers taking a pinch of skin between her fangs. Her eyes are calculating.
But who can write while anticipating a nip from those needles a cat puts on display with each yawn? I set her on the floor and return to my dream.
Yes, my dream. Its elements are silence, bitter coffee, a view, a desk and something to say. For most of this March day, I’ll abstain from television and music and mute the smartphone (the mother of all misnomers).
No dashing around the house, yanking the silverware drawer open and shutting it with a thud and rattle. I once read that you can tell a lot about people by the way they close doors. The principle occurs to me often when, as May Sarton once said, “The house and I resume old conversations.” Let meditations be gentle. Hold the hours with a light grip. Listen to my own footfall on the wooden floor. Take it easy on the doors. Take it easy on my neighbor, as I should on myself.
A lot happens slowly on what I call “writing days”: prayer, chores, errands, coffee with friends, babysitting now and then.
And writing happens, especially writing. This is warp and woof of my dream: long draughts of time and space to play with words. Sometimes I write at Starbucks, but increasingly these days sentences get woven on this enclosed front porch, termed a “den” on a building permit from 9-7-65. While moving in, I found the form tacked to pegboard in the basement and framed it—something resonant about our home’s sanctum being four years my junior.
Wife Kathy and I have always called the room in our abodes set aside for contemplation and creation the “study.” Here on Parkway we feel obligated to use the space’s given name, though “den” fits a smartly dressed world beater who exudes confidence and authority—hardly yours truly.
“Study,” on the other hand, connotes humility, since one who labors there is a student at heart. That’s me, chronically rumpled and staring up slack jawed at some vertical learning curve.
First thing this morning I sat here in prayer, reckoning my good fortune. On Mondays, Wednesdays, Fridays and Saturdays, writing is limited primarily by stamina. On Tuesdays, Thursdays and Sundays, the pen sleeps as I head for Oniontown. The hour commute during winter is rich with the pale gray of leafless trees, and my reward is arriving to work with the sweet brothers and sisters at St. John’s Lutheran Church.
“Living the dream,” some folks joke when asked how they’re doing. For me this is actually true, which is not to say that dreams come without complications.
Baby Crash’s teeth occasionally draw specks of blood.
Following an evening church meeting recently, I crawled through a freakish whiteout on Route 19 coming down the hill toward the Rainbow Valley Restaurant. The view cleared within a few miles, but the brief ordeal reminded me that troubles relish showing up unannounced.
My dream of writing days—the whole enterprise, I mean—has witnessed two squalls.
First, when dreams come even partially true, the spirit is tricked into believing that it has finally arrived in paradise. Nice try. Postponed grief and old upset hushed by stoicism never hesitate to drop in when I’m savoring solitude. In fact, gladness practically whispers to decades of unresolved life junk, “Hey, John’s defenses are down. Hurry, he’ll never see you coming.”
Second, a dream fulfilled does not—I repeat, does not—guarantee happiness, which is a stand-alone project. Am I alone in this experience? Circumstances are agreeable, better than could be expected, in fact, yet the throat is tight with sadness, the chest bruised with longing.
Writing days have highlighted the truth that happiness lives under no obligations. Now and then it appears unbidden and licks my hand. Mostly, though, my dream fulfilled leaves a spot open at the table, but joy doesn’t show up unless I send her an invitation.
This arrangement seems more than fair to me.
Oniontown Pastoral: Promise of the Onion
I wonder how many good onions rot in landfills because of flaws on their outermost layer. Fumbled by a customer or split open by a box cutter, they join the forlorn cast of undesirables, like Charlie-in-the-Box on the Island of Misfit Toys.
Of course, Charlie, Rudolph the Red-Nosed Reindeer, the caboose with square wheels and Dolly the rag doll, whose only flaw is sadness, don’t belong in exile. All they need is a loving child with imagination.
And everybody knows that all an imperfect onion needs is touch-up work. Just peel down to a good layer. From there on it’s fit to join its soulmate, garlic, as the two aromatics chefs can’t live without.
The onion, I can’t help noting, really is a wonder. It’s made out of rings for the sake of convenient battering and deep-frying. And have you ever noticed that onions participate in their own chopping? After a few knife strokes, they very considerately fall apart, thanks to those layers.
Yes, onions can make you cry, but I’ve never met a cook who counts that against them. Why? Because the onion is a poet among vegetables. We foodies understand this.
Okay, I think a lot about onions, but maybe you can forgive me. I not only work in the village of Oniontown, Pennsylvania, at St. John’s Lutheran Church, but also practically live in the kitchen. And if that weren’t enough, I’m a writer, a vocation that thrives on the inclination to think in layers.
“O Onion! My Onion!” The commonplace observation that it consists of layers has been therapeutic lately for my uneasy soul. The skin of our 2017 world—the societal, national and international epidermis—is a torn, mushy mess. The old saying “going to hell in a hand basket” comes to mind.
But the onion is my oracle. Its counsel shone upon me this past week when I dropped in on parishioners who have a decorative plate on their car:
Seeing the village name, its proud letters larger than the others, felt like a grandfather’s encouraging pat on the back.
Bill answered the door and led me to the bedroom, where Connie lay on her side with a blanket drawn up to her eyes. Her ponytail reached the middle of the neighboring pillow. Ailment upon ailment has rained upon her in recent years, and now two misbehaving vertebral discs have added thunder.
Oh, dear! The onion is companion to garlic as back pain rivals the toothache for the most dreaded, non-life-threatening complaint. Connie was okay, provided she didn’t move. We talked for a few minutes, long enough for me to make her laugh. Nice going, Pastor. I said a prayer, soft but urgent. Relief can’t come soon enough. Options are running out.
Pausing on our way to the backdoor, Bill leaned against a kitchen chair. His posture matched his hushed words: “I don’t know what we’re going to do.” We shook hands goodbye.
“Onions.” Glancing back at that decorative plate, I held the word in my mouth. The blue marble speeding at 18.5 miles per second around the sun may not be watching, but in a warm house on Mercer Road, a man fusses over his wife, who endures with dignity. And people in warm houses in villages and cities everywhere quietly love and tend to each other.
The onion—cliché that it may be—teaches me never to neglect the many layers below the surface, where anonymous multitudes dwell, overjoyed or getting by or out of rope. Down here, bane is always neck-and-neck with blessing.
But hope lives down here, too, with Bill, Connie, Charlie-in-the-Box and all the rest of us who never make the evening news. There are even families waiting to cradle Dolly the rag doll and dry her tears.
Only down here can you believe the onion’s greatest truth. Even in sorry shape, its theme is still promise. What appears, after all, when the onion’s weepy skin is pealed away? New life, bright, smooth, vulnerable with possibility.
Oniontown Pastoral: Some Life
For the year I’ve been serving St. John’s Lutheran Church, a row of fifteen or twenty round bales has sat rotting along District Road. Seems like a waste, but there must be a reason. What’s the story?
As I shoved quarters in the parking meter this morning, a decently dressed man crouched behind a bus stop, shielding himself from the chilly wind and drizzle. Nike running shoes look new. Parka with fur hood is unstained. But huddling on the sidewalk is, well, odd. What’s the story?
And there is always a story. It might be disappointing or anticlimactic, but when one human being listens to another for a few minutes, questions can get answered. Maybe a crisis in the farmer’s family put everything on hold, including hay. A plastic tote bag from a local hospital sat beside the crouching man. Was he released an hour ago, still sick or confused?
I can only speculate. Answers would require conversations, and I’m not about to start one by knocking on a stranger’s door or tapping a shivering guy on the shoulder. I can live with mysteries.
In fact, I welcome them. Seldom understanding why the world chugs along in its haphazard fashion and why human beings behave inexplicably is a way of life, a spiritual posture.
“Shave and a haircut . . . .” I’m content with no ending.
My favorite mystery near Oniontown has to do with a dirty blonde horse I’ve named Onslow. I pass him on Route 19 and wonder why he has his own modest yard—room for a round-bale feeder, a couple of trailers, a shed and a short stroll. On the other side of the barn, a dozen or so other horses wander a generous pasture.
So why is Onslow in solitary? Does he have issues? Is he a grouch? A biter? I know nothing, not even if I should call him Hyacinth, but the way his forelock blows across his right eye makes him endearing. He’s probably a real pain in the neck, but I care about him.
Why? Because even beasts of the field have stories. I don’t stand in winter gusts and munch my breakfast for a good hunk of the year. Maybe being a horse is no picnic.
“Boy, John,” you might say, “this is some life you’ve got going, praying in an urban coffee shop for a lonely horse.”
The truth is, I don’t have much choice. Some creatures have fangs made for tearing down, and others have eyes prone to tearing up. I belong to the latter species.
I’ve never cried for Onslow, but I’ve come close for patrons in the neighboring stalls here at Starbucks. Some stare into space as they sip and leave with weary faces, as if nothing much awaits their return. I’ve never met them, but imagine a great, invisible hand has rubbed their faces into the ground. Are they lost souls?
Behind me, a fixture I’ll call Clyde is giving his imaginary friend what for. They fight a lot. As far as I can tell this is his only companion, other than a five-foot duffle bag stuffed solid.
What would its contents say about Clyde? In lucid moments, what story might he piece together? Grinding mental illness, probably unmedicated, must drive the plot. Though he lives in solitary, one character visits him, if only as an antagonist.
“You apologize every month!” Clyde just grunted.
I’ll never know the trespass that has so infuriated him, but that’s okay. It’s enough for me to remember that he is tormented by red herrings and complications that never resolve. Anyway, something about the way his burden bends his back makes me love him.
Yes, I know, deep down Clyde is probably a bigger nuisance than Onslow. But they both have manes, one blonde, the other greasy gray.
And they both have unknown stories. We all do. The day I forget this is the day I will have lost myself. You’ll find me in solitary, singing, “Two bits. Two bits. Two bits.”
I’ve been thinking for a while of starting a second blog in order to keep my buzzkill social and political posts from skunking up A Napper’s Companion. Today I finally took the leap and set up Matters of Conscience.
It’s a work in progress, so if you’re interested in reading, please be patient as I work out the kinks. If you’re not interested, then please know that I value your opinions and made this move especially for you.
You may notice that I removed a couple of posts from this blog and sent them to the new digs. If you’ve been meaning to check out a post and can’t find it here, please try Matters of Conscience.
Peace and love,
Oniontown Pastoral: Listen to Your Grandma
Dear Cole and Killian:
Last week your Grandma Kathy came in all sweated up from picking vegetables and said, “Oh, John, there’s one of those tomato hornworms in the garden with eggs on its back, probably wasp eggs.” Her bottom lip wasn’t quivering, but tears weren’t far off. Poor bug.
I don’t want to see any creature suffer, but I’ve never been a fan of hornworms. First, they’re gross; they look like a bald, glossy-green, plump, juicy caterpillar. Second, they never finish their meals. I would be glad to share if they didn’t go from tomato to tomato, munching a portion and ruining the rest. And third, they leave pellet droppings called frass. Most of it falls into the soil unseen, but a little plastic table Grandma Kathy situated near a tomato plant got covered with it. The guilty insect frassed so much I couldn’t help thinking it chuckled to itself, pellet by pellet.
Your grandmother, who is on strangely good terms with the wastrels, wanted to send me on a rescue mission, but not by plucking the larvae off the hornworm or ending its suffering.
“You write about these things,” she said. “Maybe you could write about it.”
Grandma Kathy was right, boys. For whatever reason, your pop thinks a lot about sadness, and some likeminded folks like to read what I come up with. She was right, too, that in hopeless cases, one sympathetic witness can be a saving grace.
The trouble is, I don’t have much to say about future wasps dining on a hornworm, other than to note, “That’s life for you.” One being’s grilled chicken is another’s raw caterpillar. The main difference is presentation.
On the other hand, I do have something to say about Grandma Kathy. You won’t read this letter for another ten years, but as you grow I’ll be steering you toward this advice: “Grandma Kathy has a big soul. She knows how to live. Listen to her.”
I’m only trying to save you time and trouble. If my math skills are still operational, your grandmother and I have spent 2/3 of our lives together. Only in the last three years have I figured out that most of the time she knows best. Since 1980, then, I’ve been letting her steer 1/10 of the time, which is silly.
And I’ll tell you why. Grandma Kathy was right about that hornworm from the beginning. It’s as much a resident of the earth as I am and worthy of consideration.
“Don’t you think we ought to kill it?” I asked. “The last thing we need is a wasp infestation.”
“No, we’re too quick to kill things,” she answered. “Besides, I think wasps might be beneficial.”
I swallowed my response, which would have been, “Hey, I’m not too quick to kill things.”
But she was half right. I checked an almanac and learned that you shouldn’t squash the hornworm and its passengers. Wasps are—and I quote—“beneficial” for a garden.
Only in the last few weeks have I decided that Grandma Kathy also knows best where the garden hose is concerned. All our marriage long she has left it snaking around the yard rather than coiling it up. I bring the matter up once every decade, though not anymore. When I walk out the back door, my glance goes immediately to the hose and my mind says, “Unkempt.” Your grandmother looks first to the sunflowers, and her mind says, “Ah, beautiful.”
She has chosen the better part, and I won’t take it from her.
When Grandma Kathy plays with you, Cole, she lets you decide what to do and where to go. That’s because you know how to play better than anybody else. By watching her, I’m learning to be a good pop.
And Killian, you’re just a few months old, but it already seems that you’re going to be quieter and more reserved than your big brother. You watch, kiddo, Grandma Kathy will look into your brown eyes and see how to help you love yourself and feel so happy you’ll want to fly.
Someday you’ll be able to understand that big souls make big sacrifices. When you’re ready, I’ll explain that Pop owes his life to Grandma Kathy.
But I’ll wait for later to tell you just how. It’s enough for now to say that when I was weary and lost unto despair, your grandmother left a few of her dreams behind as if they were frass to help me find myself again.
Grandma Kathy knows how best to love you and me and the rest of creation. Please, save yourself trouble and spend more than a sliver of your years following her lead and trusting her example.
Care for the tomato hornworm. Look first to the sunflower. Give yourself away for the sake of love.
We’ll talk before you know it,
To My Dear Blogging Friends:
Well, it’s only taken eight years and countless drafts, but “Your Grandmother Raised Monarchs” will finally be available on Amazon sometime this week, followed by a Kindle version maybe a week later. I’m really in photographer and writer Mary Birdsong‘s debt for the nuanced cover shot of a butterfly and a couple of observations that helped focus my thoughts–and to wife Kathy for reading the manuscript probably thirty or forty times. A word about spending your hard-earned dollars: of course I want people to buy the book, but understand it won’t keep you on the edge of your seat. If you wouldn’t enjoy page after page of random thoughts a middle-aged man wants to share with his future grandchildren, then . . . well . . . buy “Your Grandmother Raised Monarchs” for somebody who would. (Insert smiley face here!) Peace and love, John
P.S. I admit the process of pushing this rock up the mountain has been consuming lately. It’s slowed down my blogging and reading/responding. Thanks for your patience. I look forward to being on the grid in the days ahead.
I want to share with you the cover of my book, Your Grandmother Raised Monarchs, which, if all goes well, should be released in a month, maybe sooner.
Mary was patient and generous with me in trying to get the photograph just right, and I’m grateful for her talent and spirit. She is also, by the way, a talented writer and editor who has steered me in the right direction more than once. Thanks, Mary!
And now for the back cover:
And I am the publisher. The imprint is Shamatha House, but, of course, that’s me. I wrote in a previous post about how I came to the decision to get Your Grandmother Raised Monarchs (formerly entitled Darwin’s Beetle and before that Oh! Be Joyful) into print via Create Space. In short, here’s the deal: I write a lot, not unlike an old guy making wooden chairs in his workshop. After a long struggle to get this baby published conventionally, I thought, “I just want to get my work in front of people who might appreciate it”–in the same way the old carpenter would take a few bucks for his chairs so that they can live out their purpose.
When Your Grandmother Raised Monarchs is released, I’ll make a big fuss. The paperback will be available on Amazon first, then an inexpensive Kindle version will quickly follow. I’ll keep you posted about my success in getting the book into bookstores. I’m not quite settled on the pricing yet, but trust me, it will be affordable.
That’s enough for now. Peace and love,
In a week or two I may be grateful for yesterday, but this morning I feel beaten up. Grateful: I reached a new level of understanding my personal call as a world citizen. Beaten up: several brushes with reptilian anger. That’s ungenerous, I guess. Reptiles are people, too.
Brush #1 didn’t have much effect on me, other than starting the day on a rancorous note. I rarely read book reviews, mostly because mine have been crappy, but while sipping coffee and warming to my writing hour, I checked out Michiko Kakutani’s assessment of Norman Rush’s novel Subtle Bodies. Why would the New York Times publish such a slaughter? Kakutani went after Rush like Hannibal Lector sliced up that poor jail guard in Silence of the Lambs: the lovely aria of Bach’s “Goldberg Variations” playing as a blood-smeared Anthony Hopkins basks in his kill. I’ve never read Norman Rush and never heard of Michiko Kakutani, but it’s hard to imagine a novel that deserves komodo dragon treatment like this:
- “an eye-rollingly awful read”
- “Readers given to writing comments in their books are likely to find themselves repeatedly scrawling words like ‘narcissistic,’ ‘ridiculous,’ ‘irritating’ and ‘pretentious’ in the margins.”
- Adjectives employed: “cloying”; “claustrophobic”; “totally annoying”; “insufferable”; “flimsy”; “tiresome”; “solipsistic”
Geez! As you might expect, writers don’t cozy up to such savagery. Jonathan Franzen has called Kakutani “the stupidest person in New York” and “an international embarrassment.” Ha. Take that! A nasty book review is no skin off my nose, but when I left Starbucks and headed off to church work, I wasn’t thinking, “Ah, how sweet the morning air is.”
Cut to late afternoon for brush #2: Micah called to report that at long last he received a response to repeated phone messages about fines associated with his drug-related felony conviction. In short, the kid’s been trying to set up a payment plan and eating weeks and week of courthouse static. Far from apologizing for failing to get back to Micah, the Cyclops who finally called ripped him a new one in loud, deep mumbles. I have only my son’s word to go on, but it sounded to me like a verbal Rodney King ass-whipping–this for someone who’s been clean for over a year, following all the rules with bowels aquiver, and holding down a full-time job.
$%&*@! I don’t remember the last time I’d been so enraged. The evening was a controlled train wreck as I strained through a meeting and a short worship service and washed the day down with a couple of splashes from an econo-box of burgundy. (By the way, for a fun piece on capitalizing wine names, check out this by William Safire.)
This morning, my prayer was like a car out of alignment. I’d written a letter to the local probation office—probably never to be sent—to drain off some of my anger yesterday afternoon, but my prayer a few hours ago kept pulling toward the conversation I’d like have with the Cyclops. I’ve named him this, by the way, because he didn’t have the courtesy to identify himself when he called.
Much as I’m uncomfortable with anger, it’s not all bad. The late Christopher Hitchens once said in an interview that he found hate to be a wonderfully motivating force for his writing. Upset people can accomplish a lot. But now for my gratefulness: anger is not my calling; it’s not what I have to contribute as a planetary resident; though fury is having its way with me now, I know what I ought to be about. In the flawed silence of prayer, the Spirit helped me learn a couple of things: 1.) I’m not going to deny the rage residing in my chest, which has me gulping in cleansing breaths. 2.) I consume my earthly share of oxygen, avocados, fossil fuel, and beverages for a single reason: to regard everybody and everything with loving eyes. That’s it. That’s the ball game.
Of course, I specialize in messing up this calling. Naming my son’s caller the Cyclops is a failure, but I’m still operating out of my own reptilian brain. I want to let out a rant against the guy from probation like Chevy Chases’ tirade against his boss in “Christmas Vacation.” I want to give him a turbo purple nurple, a burlap wedgie, a swirly in a ballpark toilet after One Dollar Succotash and Sauerkraut Night. I want to fill his house with clones of Joan Rivers, Don Rickles, Carol Channing, Sam Kinison, Mr. T., Pee Wee Herman, Phyllis Diller, Gilbert Gottfried, Tiny Tim, Roseanne Roseannadanna, and the cast of “Gilligan’s Island.” You get the idea: my heart’s pumping crocodile blood at the moment.
Noodling around with creative revenge is fun, but it’s not what I’m about. I’ll get past this cruddy karma. What I won’t get past is love. Most of my wells are shallow or fetid, but for whatever reason, I have love to spare. So, thankfully, when shamatha gets my brain human again, I’ll get back to work. Eventually, in my imagination I’ll have a compassionate conversation with the Cyclops, taking into account the probability that he listens to a dozen people a day lying, playing stupid, or making excuses. His red voicemail light is hot to the touch.
I’m eye-rollingly awful at some jobs, but most days I can hold what’s before my eyes in a kind embrace. I’m grateful to have words to put to such a life purpose. Pray for me that I understand myself.