What Time Feels Like in Its Passing

What Time Feels Like in Its Passing

Nothing has changed. Not much anyway. So why did a recent email from my brother throw me off stride? 

“We finally decided to sell our condo,” Ed writes. “Now that Delta [Airlines] has pulled out of Erie, the convenience is outweighed by the cost. We have to fly into Buffalo anyways, and that just happens to be where Andrea and the boys are.”

Ed and wife Debby have retired to Las Vegas. No use paying taxes and condominium fees for a perch in our hometown when Buffalo, 90 minutes away, is where they want to be. 

But Ed’s real estate transaction means that I’m the last Coleman left in Erie. My sisters both live in North Carolina. Mom died in 1998, Dad in 2012. Wife Kathy and I have two adult children and three grandsons in Erie, so our calendars overfloweth with blessings. Still, now that nobody from my birth family lives within an easy drive, one ventricle of my heart is pumping sighs.

This season’s emotional valley has been a long time coming. The Coleman family’s migration into glory and geographical retreat from Pennsylvania is of a piece with my past slipping away.

In the old neighborhood, Twin Kiss is a vacant lot. Joe Ettwein no longer survives to repair my cars. Gary’s Variety is a parking lot. I learned to make change there from the best boss ever. Russ’ Diner recently died of COVID-19, as did my beloved Jack Frost Donuts. Armand’s Pizzeria was actually the first to go, leveled for a convenience store. “OK, bout 10-12 minutes,” the muscular, mustachioed proprietor said in staccato when I ordered a large with cheese and pepperoni. The crust was thin, the sauce sweet.

1929-2021

Passing the dusty ghost of my alma mater, Erie East High, I can see German teacher Miss McMahon’s high ceiling and hardwood floor protected by layers of lacquer against the soles of spirited, randy teenagers. What apartments those classrooms would have made. 

OK, uncle, the razing of East and Armand’s and the rest must be tolerated, but I’ll let myself wallow over Wagner Avenue, where I was raised.

The closer I get to 60—11 days away now, but who’s counting—the more often I turn right at the intersection I crossed for a 25-cent chocolate and vanilla “twin kiss” cone. Three blocks to the south stands home, surrounded by Farnsworths, Clarks, Newcamps and Snells.

Mr. and Mrs. Andrews lived next door. The wiry mister, a foundry worker, came home filthy, his cheeks whiskery, his lip bulging with Copenhagen. The missus’ frizzy hair gave her the countenance of a startled cartoon woman. But their house and garden were just so.

On my last Wagner run I was floored to see that fire had blown through the Andrews’ windows. The edifice remains. The picture I pulled over to take doesn’t capture my sensation in the moment that Mickey and Marcella went up in smoke with their home. In fact, they died two days apart in 2005 and shared an obituary. 

Mr. and Mrs. Andrews kept a nice house.

My home was untouched, but with the two shade maples out on the tree lawn chopped down, the place was damaged in the eyes of the boy who came and went with a slam of the screen door.

I couldn’t help myself. Starting at our driveway, I paced off the yards to the corner. Almost 50 years ago, a handsome kid used the hollow of his mother’s hairspray cap as a tee. He sent the football over the telephone wire, jogged after it and kicked again. Again. And another as dusk turned to night.

But just how long was his furthest kick? I faced the wire, guessed 20-25 yards, and breathed. My treeless house looked like a man who had shaved off a beard he’d worn forever. 

Presiding over the avenue of my personal best, this grandfather realized he could never match that 14-year-old who was so painfully awkward with the girls. I cracked open. Wind swirled in the hollow of my chest. I’ll never taste another Armand’s pizza. My brother has a buyer. One Coleman is left standing in Erie. 

I’m as happy now as ever, honest, but what I wouldn’t give to kick that football one more time, to fetch it for another try. Let a chilly rain sting my face. Let the ball disappear into the darkness. I don’t need light to know that it’s good.

The kid inches toward the horizon. Being called “Pop” is perfect, but I miss Johnny. So I wave to him. He really puts his leg into one, watches it soar, then turns toward me. What a sweet boy. If only I could put my arm around his shoulder and pull him in close, as if father to son. 

This is what time feels like in its passing.

The wire

Oniontown Pastoral: Supporting Cast at Grandma’s House

Oniontown Pastoral: Supporting Cast at Grandma’s House

When Cole and Killian arrived at Grandma Daffy’s house Saturday evening at 5:00, it was pouring down rain. Thunder and lightening were also in on the action, so the boys’ coveted dip in the splash pool seemed unlikely. 

Our seven-year-old redhead and five-year-old sandy-brown were sulking. Fortunately, bad moods are no match for my wife. In no time she had them shrieking in the basement play zone, having sold them on some alternative amusement. I was whipping up a pot of Pop’s Famous Mac and Cheese and a batch of curly dogs, a trick I stole from Jacques Pepin, who slices wieners so they turn into circles when fried.

In other words, the spell that Grandma Daffy casts on our grandsons was working its magic. As an aside, my beloved obviously does not share her given name with a cartoon duck.

Everybody knows that grandchildren claim the divine right to name their elders. Killian couldn’t manage Kathy, but Daffy worked. And she was the lucky one. Her counterpart should have been Grandma Janine, but the best Killian could do was “Dramamine.” How would you like to be known as a motion sickness prophylactic? And due to an unfathomable utterance by Cole, our son Micah goes by “Gak,” which is the phonetic spelling of “upchuck.” Poor Uncle Gak. 

Killian, Cole and Gavin, who will be joining Grandma Daffy’s Magic Queendom someday soon. (Credit: Elena Thompson)

But back to Grandma Daffy’s house. Nobody mentions that 402 Parkway Drive also belongs to Pop. No, when the subject of weeknight visits or sleepovers comes up, the venue is “Grandma Daffy’s.”

And it’s the truth. I’m the supporting cast for the queendom Kathy hath made, all aglow with virtuosity and improvisation. In the aforementioned basement, Kathy has a miniature, fully-appointed kitchen, where the wee chefs prepare gourmet meals. They also built a neighborhood out of cardboard appliance cartons and now hatch plots in their own row houses with secret entrances. A bit closer to heaven, our attic ceiling is lined with twinkly lights, so the boys can embark on make-believe adventures under the stars. 

My own cooking has to be four-star to compete with such attractions. Mac and cheese is a favorite. It’s salty, savory and rich enough that when adults partake, I insist that they schedule angioplasty before serving them dessert.

Cole was finishing his third helping of my heart-stopping starch on that rainy Saturday when Kathy pointed out the window and said, “Hey, guys, look!” 

The veil of clouds was rent in twain. The sun was out. Bellies full, the boys naturally ran out to trouble the chilly water. 

My favorite pool picture from 2020: Kathy made suds, Cole blasted himself in the face with the hose, while Killian looked on.

The moment Cole’s lower lip turned blue and quivered, intrepid Gram filled two plastic tubs with steamy tap water and dumped them into the pool. The placebo effect was in full force. I could have warmed the waves as much with a dirty look, but who cared? Cole was giddy, belly flopping and slipping down a stubby plastic sliding board.

Before long my character in this play was called on stage. I was made for the part. Killian stepped out of the pool and into a breeze, which got his teeth clattering. He fetched a towel from the deck railing, and I spun him into a cocoon, set him in my lap and surrounded him with big Pop arms.

For somebody who never was all on fire to have children, let alone grandchildren, I’m stunned time and again to discover that the highlight of this man’s sixth decade is when Grandma Daffy and I have the boys over for an evening or all night long. 

What the woman I now call “Daff” likes best is action—play in all of its gyrations and fascinations. What the man she calls “Pop” likes is when the boys lean into me as I read and tell stories. Best of all, I offer them a sustaining memory for when laps can no longer cradle them and assurances whispered into their ears won’t drive troubles away: Being embraced by a grandfather whose love alone could shelter them from a cold wind, but who doesn’t hesitate to use a beach towel warmed in the sun as well as a few kisses on top of their wet heads.

As if receiving a sacrament, I watch Daff give Cole and Killian a childhood that will leave her fingerprint on their souls. And with joy I await my cue and play my part, which is that of an extra. I look at their tender faces and think, “If for this moment alone I was born, I count this life a wonder. My portion of days runneth over.”    

A vase of flowers from Daff’s garden. She wrought the wonders, and the author arranged them.