When we are alone on a starlit night; when by chance we see the migrating birds of autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own heart; or when, like the Japanese poet Basho we hear an old frog land in a quiet pond with a solitary splash—at such times the awakening, the turning inside out of all values, the “newness,” the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance.
Credit: Gyro Photography
For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things, or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not.
Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance. (Thomas Merton, The New Seeds of Contemplation)
Credit: Bill Byrne
My wife Kathy is not a napper. I’ve sung her praises in at least one previous blog post, but she and I differ on the matter of midday oblivion. It occurs to me that she and I also approach shamatha differently. My calm abiding tends to be self-referential (i.e. naval gazing), while Kathy mostly looks outward at the world and others to find meaning. This is not to say that she lacks self-awareness and I am captive to my own reflection; rather, we have different spiritual styles.
It helps to acknowledge this. For a couple weeks my karma’s been cramped and bitter, and it may be because I’m stuck in my own awful solemnity, analyzing the phenomenon of my life into strange finalities. In other words, I need to get out of my naval and out into the general dance, which has been going on around me all these days of my funkification.
In fact, the cosmic or general dance—whatever you want to call it—has been getting a bit out of hand, especially in Kathy’s land of shamatha, the Coleman backyard. Check out this short gallery I took a couple weeks ago of God and Kathy dancing.
Evidence of this being the Coleman’s driveway? A garage at the end; that’s about it.
A clematis vine taking over the hedge and gardening tool shelf.
Behind the foliage is a grill. When I cook, I look like Arte Johnson on “Laugh In.”
Getting in the backdoor requires dancing with greenery.
The dance isn’t restricted to the backyard. It plays inside, too, on the kitchen windowsill. You have to move plants to open the window.
An orange tree took over the breakfast table until friend Claudia adopted it last week.
As plant life took over our property inside and out, pineapple-sized grandson-to-be has been shaking his groove thing under the firmament of daughter Elena’s belly.
Elena with dancing future grandson.
No matter how much I try to turn the joy beating in my very blood to hot dog water, frogs keep inviting me to splash into ponds with them. Mint leaves wait for me to pick them and lift them to my nose. The clematis overtaking the hedge hopes I’ll stand still and receive its gladness. My future grandson is generally dancing and wants his gramps to join him. Kathy says, “You need to go outside and look!”
Forget yourself, Coleman. Go outside. Breathe. Know shamatha. Cast yourself dancing to the winds.
A Napper's Companion 