“The Red Wheelbarrow” by William Carlos Williams
So much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.
Literary critic John Hollander writes, “Williams ‘etymologizes’ his compounds into their prior phenomena, and his verbal act represents, and makes the reader carry out, a meditative one.”
In other words, meditative phenomena. Shamatha. Breathe. Receive.
Kathy, Elena, and Cole drive seven hours to Virginia for a baby shower. They also visit Polyface Farms, where Joel Salatin and family love creation, collaborate with it. Elena sits on a swing and nurses Cole. She’s not ashamed. Kathy brings home a pound of bacon from a pig joyful until its last moment. Salt and earth. We taste the earth.
For Sunday family dinner, we have purple potato salad and wraps: real, northwestern Pennsylvania tomatoes; avocado; feta; dill sauce; red bell pepper; chicken thighs sautéed in ground coriander seeds.
(I once saw coriander in Mary’s mortar. That’s why I thought to buy coriander, grind it, and put it with the chicken. My friend showed me.)
Before Sunday family dinner, Cole works in his playhouse in the backyard. He pounds with his hammer. He examines plastic nails and a sink and makes comments about them into the perfect air. Suddenly I realize / That if I stepped out of my body I would break / Into blossom (James Wright).
Before Sunday family dinner, Elena says, “We were going to plant flowers beside the house, but Matt says he wants to keep that space open. Layla likes to run there.”
This morning, breezes lift the bedroom curtains. Kathy and I lay together, my arm around her shoulder, her head on my chest. We say nothing, listen to the trees, receive Earth’s cool hymnody on our faces and arms.
Finally: “I love you, Kathy Coleman.”
And: “I love you, too, John Coleman.”
Strange: we call each other by our full names.